Philippe Jordan, Music Director WIENER SYMPHONIKER

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ProgramProgram

7:00p.m. Friday, December 1

Mendelssohn: Violin Concerto in D minor Op.64 (Violin: Daishin Kashimoto)
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Mahler: Symphony No.1 in D major, ‘Titan’

 

2:00p.m. Sunday, December 3

Beethoven: Symphony No.5 in C minor Op.67
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Brahms: Symphony No.1 in C minor Op.68

ProfileProfile

Philippe Jordan , Music Director

Currently Music Director of both the Op?ra national de Paris and the Wiener Symphoniker Philippe Jordan has established himself as one of the most gifted and exciting conductors of his generation. His career began in 1994-95 as Kapellmeister of the Ulm Stadttheater. From 1998-2001, he was assistant to Daniel Barenboim at the Deutsche Staatsoper Unter den Linden in Berlin. From 2001-2004, he held the position of Chief Conductor of the Graz Opera and Graz Philharmonic Orchestra. In this period he made his debut at several prestigious international Opera houses and festivals, the Houston Grand Opera, the Glyndebourne Festival, the Aix-en-Provence Festival, the Metropolitan Opera New York, the Royal Opera House Covent Garden, the Teatro alla Scala, the Bayerische Staatsoper Munich, the Salzburger Festspiele (Cosi fan tutte), the Wiener Staatsoper, the Festspielhaus Baden-Baden (Tannh?user), the Zurich Opera and the Bayreuth Festival (Parsifal). From 2006-2010, he was Principal Guest Conductor of the Berlin Staatsoper Unter den Linden. Philippe Jordan’s orchestral engagements have included the Berlin Philharmonic, the Vienna Philharmonic, Berlin Staatskapelle, Vienna RSO, Orchestre Philharmonique de Radio France, Philharmonia Orchestra London, Accademia Nazionale di Santa Cecilia, Orchestre de la Suisse Romande, Tonhalle Zurich, Chamber Orchestra of Europe, Mahler Chamber Orchestra, Gustav Mahler Youth Orchestra, NDR/Hamburg Symphony, DSO Berlin, Mozarteum Orchestra Salzburg, Rotterdam Philharmonic Orchestra and the M?nchner Philharmoniker. In North America, he has appeared with the Seattle, St. Louis, Dallas, Detroit, Chicago, Cleveland, Philadelphia, Washington, Minnesota, Montreal, New York and San Francisco Orchestras. With the Wiener Symphoniker Philippe Jordan has performed an integral cycle of teh complete Schubert Symphonies, Beethoven’s piano-concertos combined with the main orchestral works of B?la Bart?k and a cycle of Bach’s great masses and oratorios. In the season 2016-17 he presented a complete cycle of all Beethoen Symphonies with the orchestra at the Musikverein. Highlights of the last season in Paris include Samson e Daliah, Les Contes des Hoffmann, Lohengrin and Cosi fan tutte. In 2017-18 season he will conduct Pell?as et M?lisande , Don Carlos (French original version), Benvenutto Cellini and Parsifal. Philippe Jordan has recorded Carmen (Glyndebourne Festival), Werther (Wiener Staatsoper), Doktor Faust (Zurich Opera) and Salom? (Covent Garden), Tannh?user (Baden-Baden), Le Nozze di Figaro (Paris Opera) and Pell?as et M?lisande (Op?ra de Paris), which received the “CHOC de l’ann?e” prize for Classica in DVD format. He has also recorded for Na?ve the complete Beethoven Piano Concertos with Fran?ois-Fr?d?ric Guy and the Orchestre Philharmonique de Radio France as well as Strauss’ Alpensinfonie with the Op?ra National de Paris Orchestra, which was awarded the “CHOC de l’ann?e – Classica”. The Sacre du Printemps CD that he also recorded received the “CHOC” prize for the Musical World. Mr. Jordan recently released two albums, one with a recording of the Verdi Requiem, the other with symphonic excerpts from Wagner’s Ring. Both of these were performed with the orchestra of the Op?ra National de Paris and were released through the label Erato. His last recording with the orchestra of the Op?ra National de Paris, Ravel’s Daphnis and Chloe and La Valse was released in May 2015. With the Wiener Symphoniker he has so far recorded a CD of Tchaikovsky’s Path?tique symphony (released September 2014) followed by a recording of Schubert’s 7th and 8th Symphony that was released in August 2015. For autumn 2017 the release of the first part of his recordings of Beethoven’s complete symphonies is planned.

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Daishin Kashimoto , Violin

Daishin Kashimoto was first prize winner of such renowned competitions as the 6th Menuhin International Junior Violin Competition in England in 1993, the International Competition for Violinists in Cologne in 1994 (where he was the youngest participant), and, in 1996, both the International Fritz Kreisler Violin Competition in Vienna and the Marguerite Long-Jacques Thibaud International Competition for Piano and Violin in Paris. He has received a number of prestigious awards, such as the Arion Award (1995); both the Idemitsu and Mobile Music Awards (1997); the Fresh Artists Award of the Nippon Steel Music Awards (1998); The Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize for New Artists (1998); the Cultural Award from Hyogo Prefectural Government (2011); the Change Maker 2011 award in Japan; and the Steigenberger and Davidov Awards in Germany. A Japanese national born in London in 1979, Daishin Kashimoto began studying violin in Tokyo at the age of three under Kumiko Eto. He moved to New York in 1985, and in the following year was accepted as the youngest student in the pre-college division of The Juilliard School, where he studied under Naoko Tanaka and received the Edward John Noble Foundation Scholarship. In 1990 he moved to L?beck, Germany, to accept an invitation to study under Prof. Zakhar Bron. From age 20 he studied under Prof. Rainer Kussmaul at Staatliche Hochschule f?r Musik in Freiburg, and completed the master’s course there, winning the Gustav Scheck prize. He has been recognized internationally for performing under renowned Maestros such as Seiji Ozawa, Lorin Maazel, Yuri Temirkanov, Vladimir Fedoseev, Evgeny Svetlanov, Michel Plasson, Semyon Bychkov, Eliahu Inbal, Mariss Jansons, Lord Yehudi Menuhin, Myung-Whun Chung, Mikhail Pletnev and others. Daishin is also active in the field of chamber music, and has performed with noted musicians such as Martha Argerich, Itamar Golan, Yuri Bashmet, Gidon Kremer, Mischa Maisky, G?rard Causs?e, Paul Meyer, Emmanuel Pahud, Eric Le Sage, and others. On January 22, 2007, he was chosen to perform at a special concert aimed to develop the relationship between China, Korea, and Japan, and performed chamber music with the H.I.H. Crown Prince Naruhito of Japan (viola) and Myung-Whun Chung (piano), together with Jing Zhao and Dong-Hyuck Ahn. Since 2007, Daishin has served as music director at annual chamber music festival “Le Pont” in Ako and Himeji in Japan. Daishin was appointed as the first concertmaster of the Berliner Philharmoniker in 2010. He performed also as a soloist with Berliner Philharmoniker under the baton of Sir Simon Rattle and Andris Nelsons. In addition, he is a member of the Philharmonic Octet Berlin. As a recent project as a soloist, from 2010 to spring 2013, Daishin performed and recorded all of the Beethoven violin sonatas together with pianist Konstantin Lifschitz, and they received high praise for their concerts throughout Japan spanning three tours. The complete CD box of Beethoven: Complete Violin Sonatas, released worldwide on Warner Classics in January 2014. He plays on a violin made by Andrea Guarneri, 1674.

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Wiener Symphoniker

“The Vienna Symphony Orchestra is like the Viennese Alpine water” – they provide a large city with the most important staple food in highest quality, at an affordable price and to an extent that reaches all the population. This quality has been consequently cultivated around the world since 1900 – supporting Vienna’s distinctive role as a city of music. The Vienna Symphony Orchestra is the concert orchestra of the City of Vienna, being responsible for the greater part of the musical life of the capital city. Its activities are diverse, whereby the traditional cultivation of the Viennese sound quality combined with new forms of music and their presentation occupy a central position. A remarkable innovation is the Discussion Concert Series ? “The Different Concert” in which the music is introduced in a witty, intelligent way while the Chamber Music Series displays the broad range of the musicians’ personalities, from baroque style, Schrammel music to modern jazz. Within the project “Touch the Orchestra”, musicians go to elementary schools, holding workshops in small groups for kids. The Vienna Symphony makes approximately 160 appearances each year with concerts and opera performances as well as 50 chamber concerts and workshops. These are arranged by the Musikverein, the Konzerthaus and, since 1980, by the orchestra itself with four different concert series. In addition, numerous tours are undertaken throughout Europe and overseas countries. Furthermore, the orchestra has been “Orchestra in Residence” at the Bregenz Festival since 1946, where it performs in a majority of opera and concert productions. With the beginning of 2006, a new challenge has arisen as the orchestra performs in many productions at the Theater an der Wien which has resumed its former function as an opera house.

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